Dyed Batting Pillows

I made these pillows from cotton batting for RIT to use in their booth at the CHA conference in Anaheim, CA.
Thanks for the pictures Jamie.
There's my quilt that was used in Quilting Arts TV episode 312 and for my article in the December 2008 issue of Quilting Arts magazine.

I also had a few things displayed in the Walnut Hollow booth. The CHA show looks like such an interesting convention, just imagine a whole convention filled with manufacturers of crafting products.

Needle felted dyed batting

I spent the weekend with some friends and one of them had a needle felting machine. I have never worked with one before but I knew the Rit dyed batting I brought was going to be perfect. I cut 9 squares and 9 circles from warm and cool colors and layered them alternating warm circles on cool squares and cool circles on warm squares on top of a piece of buckram.

I filled in little gaps with strips of different colors and added roving to the circles for highlights and shadows. It was SOOOO much fun. I love the painterly quality.

I had to keep playing and made another simple composition. Now I see why people want a needle felting machine after they try one out. I do not think I need to add one to my collection of tools just yet, but I would love to work on one again sometime.

In the morning I head off to do a lecture at the North Suburban Needle Arts Guild, north of Chicago. On Wednesday and Thursday I am also teaching two workshops for the guild; painting fabric for whole cloth quilts and using Tsukineko inks.

Caught in the act.

How could anyone resist a soft pile of freshly dyed cotton batting to snuggle up in? Unfortunately for Abby, that batting needed to be used for something else.


A project for RIT dye.

Dyeing Batting with Rit

Now that my article on low immersion dyeing with RIT from the December 2008 Quilting Arts magazine has been published, I can show you photos of the artwork I made for RIT to use on a segment of Quilting Arts TV for season 3. The third season should begin in January. The episode that RIT will be on also happens to have the segment that was taped in the spring at Quilt Festival Chicago where I demonstrate making Fiesta Ornaments.





These circles are cut from dyed Warm and White cotton batting and stitched with a blanket stitch on the sewing machine. If I had an easier time with hand work I would have loved to do all the stitching with embroidery floss to really make the stitches stand out. Dyed batting can be like a cheaper softer substitute for doing wool appliqué.

I think dyed cotton batting would make a great substrate for needle felting. I can imagine a whole landscape made from pieces of dyed batting and embellished on a felting machine with ribbons and roving for trees and flowers.



You can see the back of the 9 patch is one piece of dyed batting cut with a prairie point style edge. I used a leftover block cut in half on the diagonal to make the corners for hanging, with a piece of painted balsa wood to rest on a nail in the wall. This is a super easy way to hang small fiber art.

On the left is a detail from the abstract piece at the end of the article. The wavy lines of color running down the center is the dyed fusible interfacing. This is the soft nylon interfacing that is usually meant to be used with knit fabrics.

Below is a detail from the flower piece. The flowers and leaves are cut from batting and the centers of the flowers and leaves are fusible interfacing.

Dyeing with RIT

A month or two ago I mentioned that I had done a project for RIT dye for Quilting Arts TV. I actually made three projects for the RIT representative to use on the show because I had too many different ideas to stop at one. They taped the show at the end of August and it will air in Series 300. I have heard it will be on the same episode that I taped last spring at quilt Festival doing the Fiesta Ornaments. I would love to show you more but you will have to wait for the show or pics in Quilting Arts magazine.

I never used RIT dye before doing this project, I had no idea what the colors would be like or how to dye fabric with it, I have always used Procion. I think I was imagining that I would get dull 1970’s colors, you know dusty mauve, blue gray, goldenrod. I was really surprised by the colors that I got when I adapted it to a low immersion dye method, dyeing pieces of fabric in small containers of dye. These are all the RIT dye colors.

These are some of the colors I made mixing dyes.The basic recipe is:
one cup hot water to 2 tsp liquid dye or 4 tsp powder dye and one minute in the microwave. Increasing or reducing the dye quantity will make colors more saturated or lighter.

This quantity of dye solution will dye up to a 1/2 yard of fabric or roughly a fat quarter of cotton batting. I am writing an article about it now that will go into a lot more detail about the process.

One of the things that intrigued me about RIT was that it could dye some man made fibers. It won’t dye polyester but it will dye nylon, so the soft Pellon interfacing can be dyed, just don’t put it in the microwave, it will melt. This is how it looks.


I used the interfacing on two projects. I ended up melting a lot of the interfacing during my experimenting with dyeing it, so I didn’t have a lot to work with for the projects. I found if you put the interfacing in the hot water dye solution and leave it there for a couple minutes, that is enough to dye it. I made one piece fusing the interfacing to batting to make details on flowers and leaves and another piece that is abstract working with layers of batting and interfacing.

This was a really interesting project to do. I found there are definitely times when the speed and simplicity of using Rit comes in handy, not to mention the fact that it is non-toxic. There are also times when I will opt for using Procion. Each product has its benefits and drawbacks. I think a lot of people are uncomfortable using fiber reactive dyes for a number of reasons and RIT certainly provides a viable option for artists to use instead.